|
~
Delta
Poetry Review ~
|
Séance in Subiaco,
Arkansas
(after
C.D. Wright)
Bayonet he sang
Persimmon she said
Mule foot he said
Celadon she sang
Warbler the man sang
Bristlecone she said
Star Apple he said
Tupelo she sang
Perineum he sang
Revolver the woman said
Balconette one said
Yellowjacket the other sang
Petrichor he sang
Francis she said
Carolyn he said
Silence they said
|
Do Not Drive into Smoke
I remember that red house over yonder,
the only house in the trailer park
in those Speak & Spell days, those Dig Dug weeks—
those years of watching Martha Quinn
from a waterbed. That house had a cellar,
lightless, dingy, that smelled like pond mud,
like cigarette butts floating in a bucket
of rainwater. Smell transfigures to sound,
and the little symphonies from childhood
synesthesia through my mind—the girl-group
tunes from the sixties. Sometimes there’d be
a tambourine on the final snare,
and today the reverb calling back
these things—the red house over yonder.
There’s smoke on the highway up ahead.
I ignore the sign and drive right through.
I’ll make you so proud of me, I hear.
It’s coming storms ahead, a net
of writhing fish in my heart.
I look at the burning field as I pass.
A horse, a mare, it’s Oklahoma.
it’s cold and the mare’s wearing a blanket.
|
Exact Change Pantoum
I followed loss through the forest and crossed
fields
as far as they could take me. I had my head
in the bees, watched mosquitoes smack the
windshield
like spit wads on a blackboard, I wasted all my
breath.
As far as they could take me, I had my head
in night clouds, and behind them years, dulled
stars,
like spit wads on a blackboard! I wasted all my
breath
trying not to lose it, smashing guitars
in night clubs, and behind them beers—dulled
stars—
and the disemboweled melodies clanged.
Tried not to lose it, my totaled car,
and kept moving on a road requiring exact change.
And the disemboweled melodies clanged
in my ears, and the years unrolled, unwound,
unreeled,
shook apart on a road that demanded I change.
I followed loss through the forest and crossed
fields.
|
Elijah Burrell has published two
books of poems: Troubler (Aldrich Press, 2018), and The
Skin of the River (Aldrich Press, 2014). His writing has appeared
in publications such as AGNI, North American Review, Southwest
Review, The Rumpus, and many others. In 2012 he joined the faculty
of Lincoln University in Jefferson City, Missouri. An Associate
Professor in Lincoln’s Department of Humanities and Communications, he
teaches creative writing.
|
|