~ Delta Poetry Review ~ |
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Jianqing Zheng |
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Street Dance —Eudora Welty’s "Dancing for Pennies A barefoot boy with a straw hat, rolled-up sleeves and pantlegs thumps the drumhead of a tambourine to attract the ears and eyes of passersby. He knocks its frame rhythmically against his left-hand palm, slaps it against his knees and thighs, and shakes it up and down or left and right to make the jingles chime into a sunshine dance for a burst of claps. He smiles shyly, as if he’s not dancing for pennies but for a moment to delight himself.
Flying High —after Eudora Welty’s "Boy with His Kite Light wind, the fledgling flaps his young wings to soar into the sky as blue as his delight. This is his first try to see the land from the sky. Wings spreading, his dream starts to swing.
Black Street —after Eudora Welty’s "Black Street, New
Orleans The photograph frames a
plain townhouse with double undercut porches. White sheets and aprons hanging on clotheslines make it look like a riverboat with nautical flags. The building has two open entrance doors. A man in a suit and fedora is about to step into the right door. There are also two women, one scrubbing a bedsheet on the washboard on the lower porch, the other standing on the stairs as if talking to the washer or waiting to hang up laundry. Both man and women show their backs to the camera. But my magnifying glass finds the feet of two more people almost unnoticeable under a bedsheet clipped on a clothesline in front of the other door. Eudora’s focus must be the eight kids playing in the yard covered with gravel and sparse grasses. A little boy rides a tricycle and a big boy runs to the left side to catch a ball in the
air. Other kids, in twos and fours, chat or practice tongue twisters. A girl alone on the far right seems to have blond hair. None of them, young and old, are black. Are they immigrants? Does the name of the street sound ironic to Eudora when she snaps a shot there? If she walks for fifty yards in either direction, will there be a different view of black life? I move my magnifying glass for a second look. Jianqing Zheng has lived in the
Deep South since 1991. His recent poetry collection is The Dog
Years of Reeducation (Madville Publishing, 2023). In 2022 he
published a haiku e-chapbook titled Delta Notes. Email:
jqzheng2003@yahoo.com |
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