~ Delta Poetry Review ~ |
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Susan Swartwout |
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(Three poems in memory of my Southern high-school experience.)
Grains of Sand on Myrtle Beach
The two-piece, tight-bottomed, padded-cup blue swimsuit
was more than I realized at age fifteen. I guess
I thought it was my smile—the way the boys would come
buzzing around, lazy-like, after my daddy had gathered his towel,
burn, and ingrown toenails off the beach to trudge back to the
campground.
The way they moseyed past, looked down, nudged, turned—their smiles
like thick, raw honey, all golden. The way they sat down close, as if
my towel were a small island. The way the sand on one boy’s smooth, hard
back needed to be brushed off—right then. The way his nipples
tightened
upon themselves like pale snail shells. We whispered a night tryst—
him, contriving moves; me, juggling romance and reticence with the
practical
business of sketching lies for parents, bribes for brothers. The two
unchosen
boys with him just looked out to the restless sea, as if bored or
flotsam.
Campfires burned high on that night’s beach, shadows flickered over
the char-defiled dunes, and somewhere, everyone’s father lurked behind
wild sea-oats. All we accomplished was to show up, hold sweaty hands
for an hour or two, surrender the business of sex to a riper year, other
guiles.
Then we crept, like ill-starred sand crabs, back to the grit of our
separate tents.
Only—a Woman’s Place Yasss, Queen!
My Texas granny told me, Now that you’re wed,
you must dress like a married woman.
She meant,
only in dresses. She meant, wear the apron of making all
the Southern recipes she’d cooked her whole life: buttered grits,
cola cake, rum balls, fried bologna in a tiny, one-butt
kitchen.
She meant, congratulations, here’s your girdle.
She believed that, in the male dominion, I must accept
being only female. That I will fail at most tasks, since I am
lesser. That my failures will be strung across my kitchen,
the only room of my own. That I will be held accountable unless
I bat my eyes, plead silly, push a syruped drawl, and ask
forgiveness.
Even then, my feminine failures would hang from the pot-rack,
far over my head, to bear witness to my daily uselessness.
But, dearest Granny, I left your white picket ranch to learn that
females have brains and brawn. That the arrogance of knives
is not mine, nor do I want it. That the privilege in rules of roles
excludes 49.6% of the world. That certain Truths are evident,
foremost, to preserve palest mankind as it has appointed itself.
That finally,
I could step from a wallpaper made of only women—
and from the bone basket of my skull, set loose
the fertile dragon’s egg of my own possibilities,
now hatched and freed of foundations that may only
tighten, encompass, compress, or otherwise hold me in.
To the High School Classmate with Chronic Saturday Night Fever Who
Chides Me for Not Attending Reunions
You can keep your reunions
with their poodle skirts,
spin hula hoops until everything hurts,
play Chubby Checkers,
play with best friends who
you used to ignore as “dorks” way back then.
Yeah, pretend you’re a jock
and it’s Saturday Night—
on your right tit a letter,
your socks are snow white.
Although I don’t dig it,
you go right ahead, but
you really can’t dance.
Heck no,
I’m not jealous—
What do I care?
I went to four high schools,
I’ve lived everywhere.
I don’t own a class ring,
can’t sing a school song.
Far be it for me to tell you you’re wrong
for cruising on back to the sixties
and then
making me listen again and again
to your real funny stories
of puking in Fords.
No way can you dance.
So every five years
like the plague it comes back:
the masquerade gala
that my sad life lacks
since I’ve never festered in one place that long,
I’ve never labelled “Teen Angel” my song,
I can’t bear to be hauled down that same Memory Lane
with “ChaCha” and “Ace”—teen angst is a pain.
Rock your white polyester, I’m staying at home. (And you still can’t dance.) |
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Susan Swartwout is the author of the poetry book Odd Beauty, Strange Fruit, 2 poetry chapbooks, past editor of Proud to Be: Writing by American Warriors, and co-editor of Hurricane Blues: Poems About Katrina and Rita, A Student’s Guide to Getting Published, and Real Things: An Anthology of Popular Culture in American Poetry. She taught creative writing and publishing, and has worked in the publishing industry for 35 years as a publisher, editor, and copyeditor. Email: susan.swartwout@gmail.com |
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