~ DELTA POETRY REVIEW ~ | ||||
Olivia Simpson Ellis |
||||
July 14, 1963, Academy, California
For Robert Mezey I cry as I put on my long white dress, cry as the veil is
pinned to my hair. And the tears keep
coming. The wedding cake
is too warm not to cry— the icing weeps,
layers slide apart, slide away from my mother’s
hands onto the ground. She buries her
head in her apron and cries. Too late to do
anything about it. All of us
pile into the black,
bullet-proof Cadillac. I’m in the back,
watching the needle hit 200
kilometers per hour before my tears
blur the numbers. The driver is not
stopping at stop signs or red lights; the
driver, my father, is drunk, and he’s crying so
hard all the world’s a
blur for him, too. There’s no way to
live through this, I tell myself, no
way to live . . . An hour later
we’re inside the church. A brass quintet
plays “Instruments of Joy” as I walk up the
aisle in tears. I hear my father
give me away in tears. I hear myself cry
out, “I take you for
all my years.”
July 14, 1964, Valle de Bravo, Mexico It is my
fourteenth visit to the village hospital. Every day this
week the doctor pushed four large tablets
up into my body, trying to undo
what the rapist did. Today he said I
was well, and would I, well,
allow him the honor? I didn’t
understand, so he made it clear. I ran from the
room down Cherimoyo
Lane to a letter from
you: Eve is in the
hospital with diabetes; you have my
letter. You’re hitchhiking
home. What I don’t know is that you’re
locked in a building by the border for refusing to
bribe, that you’ve read
and reread my letter
until you scream
at the placid guards who won’t answer. You scream until the soft,
shy pacifist inside you breaks away, and you go for
the throat of the nearest guard.
July 14, 1965 Kinnell is
covering the whole outfield; he’ll win
singlehanded if he has to. A long fly is
followed by a short; he pulls a muscle
and goes down. Mezey is thrown
out trying to steal third. I’m at first,
unaware that I’ve been hurt until the pain
shoots up my back and heart and leaves me
screaming in the dirt. “Better give up
the spikes, Kiddo, if you wanna keep
this baby,” the low-key OB
whispers into my ear. We drive to Long
Island where I crawl into the sea, dragging a
smoldering leg swollen three times over, hoping the water
will cool my world. An ambulance ride
ends at Temple Hospital where an Italian
doctor shakes his head no. “No, there’s
nothing we can do now. She’ll be gone by
morning. Why didn’t you
bring her in sooner?” He wants to know. Nobody answers.
Nobody knows. I go under
wondering why nobody diagnosed
blood clots in Buffalo.
Olivia Simpson Ellis taught creative writing at
Pomona College, founded the Claremont Public Poetry Series, lectured
and read throughout the United States, Mexico, Spain and the Czech
Republic, founded a multilingual publishing house in Claremont that
became a bridge for immigrant families into their new culture,
published a book of peace poems by Claremont area students that was
sent to every nation state in the world and given to the Hague Peace
Conference during its Centennial Year. Children in the San Joaquin
Valley. Her writing has been published by
Poems of the American West, Random House, Knopf, RATTLE, LA Times, New
York Times, Pomona Valley Review, Backwash, National Review, People
Magazine, Susquehanna Quarterly, and many others.
Email:
osellis7@gmail.com |
||||
|