~ Delta Poetry Review ~ |
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Kendall Dunkelberg |
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The Intergalactic Traveler Contemplates Color
Only speciesists assume he is green. On earth there are many
creatures with many kinds of plumage in many shades and hues:
cardinals, bluebirds, egrets, flamingoes, and green-haired girls.
Like a chameleon, he blends into his surroundings with skin, a pale
shade of brown. To be colorless would be ridiculous or to be
transparent like a jellyfish. Then earthlings would discriminate
on the basis of internal organs. Would he stand out with
phosphorescent lymph nodes? Would his blood glow red or blue?
Would earthlings judge one another by the size of their hearts
or whether they beat with empathy? They think of themselves
as solid with definite exteriors and personal space, yet
a trillion times a second neutrinos and x-rays pass through
like knives through butter or waves of light through crystal water.
Earthlings are not much more than transportation systems
for particles and viruses that don’t care one whit about color.
The Intergalactic Traveler Goes to the Beach
On the beach, humans vie with the brightly colored
reef fish, as the war between modesty and vanity
is fought with the size and shape of fabric, covering
or revealing skin of all hues. Some burn red while others
slather sunscreen. Some are confident of their beauty
and some oblivious or still living in their younger selves.
But really, what does it matter? Here, bodies of all sizes
and shapes lie, swim, or walk next to one another.
The sun shines on all the same, and the pelican
diving for a fish could care less. Beauty is
a social construct, and fashion reigns here
as much as anywhere, yet the most human
are the most comfortable in their own skin.
The Intergalactic Traveler Visits the Delta
Determined that kudzu and armadillos not be
the only alien creatures to inhabit the South,
the intergalactic traveler lands in Memphis, drives
right past Graceland, where he would only stand out
as the least bizarre in the crowd of tourists,
and escapes into the starry night of the Delta.
Here humidity is as rife as moonshine and inequality.
Deer antlers decorate the grills of pickups, and locusts
serenade rusted windmills with their own blues.
Here he witnesses whole communities run on lard
and high-fructose fizzy water that grease the wheels
of corruption and oppression, hiding huge prisons
behind fields of cotton and soybeans, where frat boys
shoot holes in history markers to pose for Instagram.
Surely, he’s been to poorer, less hospitable corners
of the universe: asteroids, deserted planets, black holes,
to name a few, but on a pitch-dark, two-lane highway
under a brilliant milky way, the intergalactic traveler
has never felt more remote and yet more at home.
A Different Wind
Is it a different wind that blows
in the fall or is it that the leaves
are dry, not full of life as they are
in the soft spring breeze.
I’ve been told you can’t fly a kite
in the fall because the cold winds
sweep down from the clouds
and won’t provide enough lift.
Yet I see turkey buzzards soaring
nearly motionless on the updraft.
They have learned the art
of navigating in the cold.
If only I could soar with them
and find my wings on these
chilly drafts or learn to fly
to where the wind is warm.
Beaver Moon
As the sun spills blood
across the western hills,
the full moon slowly rises
from behind a dark cloud.
This is no Hunter’s moon.
Instead, orange and round
as a pumpkin, its light
blesses the animals.
May the turkey and the deer
discover the hunter’s blinds
and escape to breed again.
May the beaver and the fox,
even the coyote find a home
out of the cold, may the bear
find a cave befitting its long
winter sleep and may you
and I, my love, find our own
shelter to keep us warm.
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Kendall Dunkelberg
directs the low-residency MFA in Creative Writing and the Eudora Welty
Writers’ Symposium at Mississippi University for Women. His poetry
collections include Barrier
Island Suite, Time Capsules,
and Landscapes and Architectures,
and his poems have appeared recently in
Juke Joint, About Place, and
Tar River Poetry. He is editor
of Poetry South and has also
published the textbook, A Writer’s
Craft. |
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